In Labyrinthine (2010) Biermann takes forty-one shots of memorable and iconographic moments in Hitchcock's classic Vertigo (1958). The shots are superimposed on top of each other creating a hypnotic labyrinth of repetitions and transformations. The different moments overlap in a kind of contra-punctual proliferation lasting 15 minutes. Ultimately, a labyrinth of movements appears both within the image (the image within the image) and between the images (the changing relationship between the images within the image). Continuity editing is replaced by a discontinuous and labyrinthine editing, and the screen doesn't show one image at a time, but several.... 　　The images have a stuttering and discontinuous logic which arrests and focuses on perceptual phenomena which slips away when seeing the film. Biermann opens these intervals of the imperceptible and enlarges them and turns them into art form of its own. It is as if he uses the technologically enhanced object quality of the images to explore the optical unconscious by means not envisioned by Walter Benjamin. 　　–Eivind Rossaak, Algorithmic Culture, or the New Multiplicity of the Image, Between Stillness and Motion: Film, Photography, Algorithms (Amsterdam University Press, 2011)

People are trapped in a solitary building of infinite corridors and rooms where there appears to be no exit yet perhaps it is all part of an experiment.

Five friends break into a closed corn maze in the middle of the night and decide to play a harmless game of tag. Little do they know that a psychopathic killer has decided to play along. As they wander aimlessly through the maze the murderer follows closely behind, taunting them and watching their every move. The game turns deadly when the kids decide to separate and weaken their chances of survival. When the mutilated body of the maze owner is found they realize that something is terribly wrong. As they race to find the entrance of the maze, the murderer cleverly forces them to follow the path that he wants. Manipulating everyone to his vicious will, the killer taunts his victims and leads them further into the depths of the maze. After succumbing to hours of torture will anyone make it out of the maze...alive?

A couple move to a country estate that turns out to be haunted.

National Award winning Movie

Transported through time and space, Maze has gained incredible powers... and one astronomical problem. Every night, she transforms into a lecherous man! To top it all off, she must rescue a princess from a mysterious warrior cult. But male Maze would rather be chasing the ladies...

Inspired by the true events of the infamous 1983 prison breakout of 38 IRA prisoners from HMP Maze, which was to become the biggest prison escape in Europe since World War II.

A psychodrama about a man who chases the hidden truth behind his wife's death while confronting the labyrinth of his own inner self.

Thomas leads his group of escaped Gladers on their final and most dangerous mission yet. To save their friends, they must break into the legendary Last City, a WCKD-controlled labyrinth that may turn out to be the deadliest maze of all. Anyone who makes it out alive will get answers to the questions the Gladers have been asking since they first arrived in the maze.

Thomas and his fellow Gladers face their greatest challenge yet: searching for clues about the mysterious and powerful organization known as WCKD. Their journey takes them to the Scorch, a desolate landscape filled with unimaginable obstacles. Teaming up with resistance fighters, the Gladers take on WCKD’s vastly superior forces and uncover its shocking plans for them all.